NEWS | Level Forward

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NEWS

Watch Sunday Morning: Broadway's "How to Dance in Ohio" shines a light on autistic stories

Carmelyn P. Malalis Named Head Of Impact At Level Forward

Broadway ad agency SpotCo partners with creative studio Level Forward

Anthem Awards: The POTUS Coalition

Anthem Awards: More To Talk About

Vanessa Williams, Julianne Hough, Rachel Dratch to Star in Broadway Comedy ‘POTUS’

Vertical Entertainment Acquires SXSW & Venice Prize Winner ‘Topside’ From Directors Celine Held & Logan George

SeriesFest Launches ‘From Start To Screen’ Inclusion Initiative At Annual Festival, Year-Round Program

Level Forward Acquires North American Rights for SXSW Title ‘I’ll Meet You There’ (EXCLUSIVE)

‘Stupid and enraging’: Lack of women in L.A. theater lineup sparks protest

Heidi Schreck Takes the Constitution to Broadway

Julianne Hough to Make Broadway Debut Alongside Vanessa Williams and Rachel Dratch in Play POTUS

‘You Resemble Me’ (‘Tu Me Ressembles’): Film Review | Venice 2021

5 Companies That Illustrate the Possibilities for Eradicating Gender-Based Violence

‘Oklahoma!’ To Be Broadway’s First “Gun Neutral” Production As Lauded Musical Joins Hollywood Initiative

The Assistant Is a Subtle Horror Film for the #MeToo Era

‘Show Me What You Got’ Set to Screen Via Level Forward/Screen Forward Network

A Crisis of Faith: Have Funders Lost Faith that Art Films Can Make an Impact?

‘How to Dance in Ohio,’ a Musical, Plans a Fall Broadway Opening

The Year Between

Leading Voices: Changing the Gender Lens in Film & Media

Level Forward Launches Impact Advisory Group

J. Smith-Cameron and Steve Buscemi Star in Alex Heller Indie Drama ‘The Year Between’

‘The Queen’s Gambit’ Getting Turned Into Stage Musical

‘You Resemble Me’: Venice Review

‘Topside’ Trailer: Riveting Venice Winner, Portrait of Life Below NYC’s Subways

The Assistant Is a Compact, Quiet #MeToo Movie With a Loud, Expansive Effect

Refinery29, Level Forward Partner for Two Seasons of Shatterbox Short Film Series

Heidi Schreck’s ‘What The Constitution Means To Me’ Recoups $2.5M Broadway Capitalization

‘Rebel Hearts’ Review: Sisters Do It for Themselves in a Doc That Pits Nuns Versus the Patriarchy

Riz Ahmed Boards Dina Amer’s ‘You Resemble Me’ as Executive Producer

The Assistant Is a Movie for the #MeToo Era

‘Rebel Hearts’ Explores Conflict Between Progressive Nuns And Patriarchal Power Structure In 1960s L.A.

‘Rebel Hearts’ Review: Sisters Do It for Themselves in a Doc That Pits Nuns Versus the Patriarchy

Oscar-Nominated Short ‘Red, White and Blue’ Screenings to Raise Funds for Abortion Access, Gender Justice

How to Level Forward

LEVEL FORWARD X BROADWAY ADVOCACY COALITION WORKSHOP: STORYTELLING FOR SOCIAL GOOD

Secrecy and the Creation of “Nakedness” On Screen: Kristy Guevara-Flanagan & Helen Hood Scheer on, Body Parts

Coming to Broadway This Spring: A Farce About a Problem President

Actors of color in lead roles help Broadway shows like ‘Oklahoma’ reflect reality

Nicole Riegel’s ‘Holler’ Belongs in the Same Sentence as ‘Nomadland’

Russell Simmons Accuser Doc ‘On the Record’ Lands at HBO Max

Q&A with Level Forward’s Adrienne Becker: Shifting Gender and Social Norms through Investments in Entertainment

‘Rebel Hearts’ Review: Sisters Act Up

‘You Oughta Know’: The Road to Making a ’90s Anthem a Broadway Hit

The Bleak, Beautiful Holler Marks the Arrival of a Major New Talent

You'll never look at 'Oklahoma!' the same way after seeing this touring show

IFC Films Buys Nicole Riegel’s ‘Holler,’ Plans June Release (EXCLUSIVE)

Tonys: ‘Oklahoma!’ Wins Best Revival of a Musical

Two Broadway Shows Dismantle the American Myth

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