top of page

NEWS

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘How to Dance in Ohio,’ a Musical, Plans a Fall Broadway Opening

nyt.png
showmewhatyougot_image_christine_at_protest.png

The Year Between

nyt.png
showmewhatyougot_image_christine_at_protest.png

Leading Voices: Changing the Gender Lens in Film & Media

nyt.png
showmewhatyougot_image_christine_at_protest.png

Level Forward Launches Impact Advisory Group

nyt.png
showmewhatyougot_image_christine_at_protest.png

J. Smith-Cameron and Steve Buscemi Star in Alex Heller Indie Drama ‘The Year Between’

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘The Queen’s Gambit’ Getting Turned Into Stage Musical

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘You Resemble Me’: Venice Review

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘Topside’ Trailer: Riveting Venice Winner, Portrait of Life Below NYC’s Subways

nyt.png
showmewhatyougot_image_christine_at_protest.png

The Assistant Is a Compact, Quiet #MeToo Movie With a Loud, Expansive Effect

nyt.png
showmewhatyougot_image_christine_at_protest.png

Refinery29, Level Forward Partner for Two Seasons of Shatterbox Short Film Series

nyt.png
showmewhatyougot_image_christine_at_protest.png

Heidi Schreck’s ‘What The Constitution Means To Me’ Recoups $2.5M Broadway Capitalization

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘Rebel Hearts’ Review: Sisters Do It for Themselves in a Doc That Pits Nuns Versus the Patriarchy

nyt.png
showmewhatyougot_image_christine_at_protest.png

Riz Ahmed Boards Dina Amer’s ‘You Resemble Me’ as Executive Producer

nyt.png
showmewhatyougot_image_christine_at_protest.png

The Assistant Is a Movie for the #MeToo Era

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘Rebel Hearts’ Explores Conflict Between Progressive Nuns And Patriarchal Power Structure In 1960s L.A.

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘Rebel Hearts’ Review: Sisters Do It for Themselves in a Doc That Pits Nuns Versus the Patriarchy

nyt.png
showmewhatyougot_image_christine_at_protest.png

Broadway Box Office Keeps Warm At $30M; ‘Oklahoma!’, ‘Slave Play’ Leave On High Notes

nyt.png
showmewhatyougot_image_christine_at_protest.png

How to Level Forward

nyt.png
showmewhatyougot_image_christine_at_protest.png

LEVEL FORWARD X BROADWAY ADVOCACY COALITION WORKSHOP: STORYTELLING FOR SOCIAL GOOD

nyt.png
showmewhatyougot_image_christine_at_protest.png

Secrecy and the Creation of “Nakedness” On Screen: Kristy Guevara-Flanagan & Helen Hood Scheer on, Body Parts

nyt.png
showmewhatyougot_image_christine_at_protest.png

Coming to Broadway This Spring: A Farce About a Problem President

nyt.png
showmewhatyougot_image_christine_at_protest.png

Actors of color in lead roles help Broadway shows like ‘Oklahoma’ reflect reality

nyt.png
showmewhatyougot_image_christine_at_protest.png

Nicole Riegel’s ‘Holler’ Belongs in the Same Sentence as ‘Nomadland’

nyt.png
showmewhatyougot_image_christine_at_protest.png

Russell Simmons Accuser Doc ‘On the Record’ Lands at HBO Max

nyt.png
showmewhatyougot_image_christine_at_protest.png

Q&A with Level Forward’s Adrienne Becker: Shifting Gender and Social Norms through Investments in Entertainment

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘Rebel Hearts’ Review: Sisters Act Up

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘You Oughta Know’: The Road to Making a ’90s Anthem a Broadway Hit

nyt.png
showmewhatyougot_image_christine_at_protest.png

The Bleak, Beautiful Holler Marks the Arrival of a Major New Talent

nyt.png
showmewhatyougot_image_christine_at_protest.png

You'll never look at 'Oklahoma!' the same way after seeing this touring show

nyt.png
showmewhatyougot_image_christine_at_protest.png

IFC Films Buys Nicole Riegel’s ‘Holler,’ Plans June Release (EXCLUSIVE)

nyt.png
showmewhatyougot_image_christine_at_protest.png

Tonys: ‘Oklahoma!’ Wins Best Revival of a Musical

nyt.png
showmewhatyougot_image_christine_at_protest.png

Two Broadway Shows Dismantle the American Myth

nyt.png
showmewhatyougot_image_christine_at_protest.png

A Smashing ‘Oklahoma!’ Is Reborn in the Land of Id

nyt.png
showmewhatyougot_image_christine_at_protest.png

Ali Stroker Makes History as First Wheelchair User to Win a Tony

nyt.png
showmewhatyougot_image_christine_at_protest.png

Broadway ad agency SpotCo partners with creative studio Level Forward

nyt.png
showmewhatyougot_image_christine_at_protest.png

Anthem Awards: The POTUS Coalition

nyt.png
showmewhatyougot_image_christine_at_protest.png

Anthem Awards: More To Talk About

nyt.png
showmewhatyougot_image_christine_at_protest.png

Vanessa Williams, Julianne Hough, Rachel Dratch to Star in Broadway Comedy ‘POTUS’

nyt.png
showmewhatyougot_image_christine_at_protest.png

Vertical Entertainment Acquires SXSW & Venice Prize Winner ‘Topside’ From Directors Celine Held & Logan George

nyt.png
showmewhatyougot_image_christine_at_protest.png

SeriesFest Launches ‘From Start To Screen’ Inclusion Initiative At Annual Festival, Year-Round Program

nyt.png
showmewhatyougot_image_christine_at_protest.png

Level Forward Acquires North American Rights for SXSW Title ‘I’ll Meet You There’ (EXCLUSIVE)

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘Stupid and enraging’: Lack of women in L.A. theater lineup sparks protest

nyt.png
showmewhatyougot_image_christine_at_protest.png

Heidi Schreck Takes the Constitution to Broadway

nyt.png
showmewhatyougot_image_christine_at_protest.png

Julianne Hough to Make Broadway Debut Alongside Vanessa Williams and Rachel Dratch in Play POTUS

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘You Resemble Me’ (‘Tu Me Ressembles’): Film Review | Venice 2021

nyt.png
showmewhatyougot_image_christine_at_protest.png

5 Companies That Illustrate the Possibilities for Eradicating Gender-Based Violence

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘Oklahoma!’ To Be Broadway’s First “Gun Neutral” Production As Lauded Musical Joins Hollywood Initiative

nyt.png
showmewhatyougot_image_christine_at_protest.png

The Assistant Is a Subtle Horror Film for the #MeToo Era

nyt.png
showmewhatyougot_image_christine_at_protest.png

‘Show Me What You Got’ Set to Screen Via Level Forward/Screen Forward Network

nyt.png
showmewhatyougot_image_christine_at_protest.png

Slave Play Will Remain in Center Theatre Group Season After Organization's Commitment to Gender Equity

bottom of page